harry potter filmmusik analyse

As shown in the example below, the first two bars of the theme outline the E minor chord, and the bass extends the E into bar 5, all of which clearly establishes the key. And I agree this is not nearly as good as the original. I’ve just found this site after reading about John William’s inspirations for his music. In the Harry Potter films, this strong scoring of the melody in the horns is appropriately associated with views of the Hogwarts School, which is housed in an impressive and imposing castle. For an excellent demythification of criticisms of Williams’ film music, particularly with regard to what others hear as plagiarism, see chapter 8 of Emilio Audissino’s John Williams’s Film Music, a great read all the way through as well. The fifth note of the theme is now the raised 4th of the scale rather than the normal version, which adds a bit of that mystery I talk about in the post with the sharp-4 degree. But there is a G#, it’s just written as Ab in my example (bar 12 in my second example) because it’s part of an F minor chord. Cheers. Since the progression is inexplicable, it creates an aura of wonder as well, a perfect musical accompaniment for a world of magic and mystery. In the years leading up to the talkie, music for movies was often played from anthologies full of cues composed for various emotions and images. Interessant ist, dass auch Doyle, wie schon Williams, kein klares Thema für die Hauptfigur entwickelt.Was diesem vielleicht am nächsten kommt, ist der Track "Harry in winter". This relates to the movie as Harry and Hermione are going back in time. After listening to it, I notice that there are a couple of other small note changes. Hedwig’s Theme is one of the more flexible themes in Williams’ oeuvre as it does not represent a single specific character or thing the way, say, the Imperial March represents Darth Vader and the Empire. Harry's Wondrous World - Similarly structured to the family theme, it changes from the tune of Hedwig's Theme to a more hopeful and lively theme. I loved reading this. The resulting sound isn’t just unusual. So finden sich "Hedwigs Thema" und auch das Thema aus "Harrys Wondrous World" in zahlreichen Variationen wieder. Anyway, well done! Required fields are marked *. (not that unnatural is bad…) Thanks for letting me feel good about myself for having spotted it, hah… . Please enable JavaScript on your browser to best view this site. Eine Analyse der Potter-Romane ergibt, dass Stoff- und Textstruktur, die adressatenbezogene Sprache, die geschickte Vermischung verschiedener Genres und die klug geplante und ausgeführte Architektur der Reihe den Leser mitreißen. I look forward to reading the rest of your analyses. The concert version of Hedwig’s Theme actually incorporates two themes: Hedwig’s Theme and the Flying Theme (or “Nimbus 2000”, the name of Harry’s broomstick). I just found this analysis and commentary. Most themes or sections of themes usually close with two cadence chords: dominant and tonic, in that order. The soundtrack was nominated for Best Original Score at the 74th Academy Awards. I appreciate the clearly-set examples, also. Eine einsame Frauenstimme eröffnet die Filmmusik zu Harry Potter und die Heiligtümer des Todes, Teil 2. Hi Marlon! Herzlich Willkommen auf unserer Seite. Das Grundkonzept dieser Filmmusik war vollkommen anders als das der vorherigen Filme. Harry Potter and the Philosopher’s Stone (or in the U.S., Harry Potter and the Sorcerer’s Stone) was the first in the series of seven fantasy novels that chronicle the adventures and coming of age of J. K. Rowling’s famed boy wizard, Harry Potter. In Hedwig’s Theme, after the string of minor chords, Williams ends the section with two chords (see above musical example). I was trying to analyse this theme by myself. Indiana Jones hat seinen Marsch, Luke Skywalker seine Fanfare und Forrest Gump sein Feder-Thema. Safe to say it was an inspiration at least. Had Williams given us the actual dominant seventh, the music would have been within the realm of the ordinary. Hedwig’s Theme is different, however, because it is set in a three-beat meter, which creates an entirely different feel. Mit einem Gesamt-Einspielergebnis von ungefähr 7,7 Milliarden US Dollar sind die 8 Filme die erfolgreichste Filmreihe aller Zeiten. Ausgewählte Artikel zu 'filmmusik harry potter' jetzt im großen Sortiment von Weltbild.de entdecken. But I do think it’s interesting that the Tchaikovsky is appropriated for the Secret of the Blue Room. https://www.youtube.com/watch?v=b1QhNz117CQ. John Williams uses mostly orchestral sounds in the movie. The Music of Harry Potter Das magische Konzert-Erlebnis im Wohnzimmer. Besonders im Winter sind die "Harry Potter"-Filme über Generationen hinweg beliebt. It will be nice you add the name of chords under the note. In this audio clip, A is heard from the start, B begins at 0:17, A appears again at 0:45, B at 1:01, and A once more at 1:18: Below is my film music analysis in which I take a look at some of the musical techniques Williams uses to convey the feeling of magic and mystery associated with the world of Harry Potter. Probably the most distinctive feature of the first A section is its orchestration. Harry Potter and the Sorcerer’s Stone is the first in a series of seven books centering on protagonist Harry Potter. Also, what was Ab in the original theme now becomes the equivalent of A-natural, again rendering it the normal note found in the scale, so a bit less strange and mysterious. It’s easy to see which camp the Harry Potter soundtrack falls into. The tune doesn’t ring any bells with other pieces for me. BTW, a more extended analysis of Williams’ Superman March is now posted here – it draws on the points I gave in the Brazilian article but takes them further. Here is the entire B section: But there are some significant changes in the B section as well. I find the opening of the melody strongly reminds me of another piece, but can’t put my finger on what that is. It does well by exaggerating the action and adding to the mood and without music like this, Harry Potter wouldn’t be as gripping. Hi Em. In Harry Potter and the Prisoner of Azkaban, John Williams employs diegetic music by having the characters in the film sing a song that combines with the background music. Hi, Mark. In 1997, while Hermione Granger and Harry Potter were camping out together after Ron Weasley decided to abandon their hunt for Lord Voldemort's Horcruxes, this song came on the radio. The magic of this score lies in the fact how John William is able to make film music that would fit all the themes in the movie perfectly and would be catchy enough to be remembered and noticed by the audience at the same time. Svan Lake? Die Harry Potter Instrumental Solos - Selections from the Complete Film Series enthält erstmalig eine Sammlung aus allen acht Filmen des Harry Potter Epos. Because the celeste is not exactly an everyday instrument, it has something of an ethereal sound, all the more so in Hedwig’s Theme since the sound is electronically manipulated and therefore literally unreal. But usually this variation occurs within the confines of a rather short 8-bar theme, like the A or B sections of Hedwig’s Theme, which are great examples. But at the same time, the celeste is associated with the imaginative world of children primarily through the “Dance of the Sugar Plum Fairy” from Tchaikovsky’s ballet, The Nutcracker, whose fanciful creatures are presented through a young girl’s dream. Harry Potter and the Sorcerer’s Stone In 1997, J.K. Rowling changed the world forever when she published her first book, Harry Potter and the Sorcerer’s Stone. During less tense scenes, John Williams mostly uses long high-pitched sounds, a thinner texture, and he tries to give it a more “at ease” sort of feeling but at the same time he is able to convey that something big is going to happen soon. Hi! Hedwig's Theme ist eine Komposition, die John Williams für den ersten Harry-Potter-Film geschrieben hat. Saint-Saëns’ famous piece, “Aquarium” from Carnival of the Animals, is a prime example. Harry potter filmmusik - Die TOP Favoriten unter allen analysierten Harry potter filmmusik. The scores were composed by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat.Musicians credited with writing source music include Jarvis Cocker, The Ordinary Boys and Nick Cave and the Bad Seeds. Williams’ avoidance of the tonic therefore gives the theme a feeling of being suspended in the air like a wizard on his broomstick. Have you noticed that Hedwig’s theme was altered starting with the fourth film? Finally, the third last note in the original is A#, an appropriately quirky note that again suggests mystery (raised 4 of the scale). It represents Harry Potter. Personally, I have a hard time hearing Williams’ Harry Potter theme is a rehash of Swan Lake. Check your inbox or spam folder to confirm your subscription. Schaut man präziser nach endeckt man vornehmlich Erfahrungsberichte, die den Artikel ohne Beschränkung für gut befinden. The theme sound to me an awful lot like Burial of Kije from Sergei Prokofiev’s “Lieutenant Kije.”. Wir verwenden Cookies, die für die ordnungsgemäße Bereitstellung unseres Webseitenangebots zwingend erforderlich sind. Bach, Verdi, Bizet, Tschaikovsky and Wagner — everything that wasn’t protected from our pilfering by copyright.”. Das Märchen von den drei Brüdern I agree! But at the same time, this triple time creates a lightness and buoyancy in the music, a floating quality that captures the feeling of taking to the air, as wizards so often do. As to the reason, I don’t know for sure, but Williams is a master of variation technique. ( Log Out /  These same intervals are also heard at the end of the A section in bars 13-15, now with an extra intervening note: Both of the A section’s phrases therefore end with these strange intervals, which helps impart an air of mystery to the theme. I do what I can to contribute to the growing literature on film music. Thanks, Lucas! "Lily's Theme" (aus Harry Potter und die Heiligtümer des Todes, Teil 2; von Alexandre Desplat) - Filmmusik-Analyse Fast jeder Film hat mindestens ein musikalisches Hauptthema. Indeed, Williams even writes “Mysterioso” at the start of the score. Hi Mark, Die Filmmusik zu Harry Potter und die Kammer des Schreckens wurde vielfach eher gleichgültig aufgenommen. It opens with a solo that combines synthesized and real sounds of the celeste, a keyboard instrument whose keys strike metal bars that sound like small bells. But in Doyle’s version, it’s changed to a more normal scale-degree 5 (a semitone up). This would explain the childlike sense of wonder heard in the ethereal sounds of the celeste, as well as the features that suggest strangeness, mystery, and the magic of flight. Glad you enjoyed the analysis. Thus, as we have seen throughout this series of posts, Williams creates his effect by aligning many different aspects of the music towards a common expressive goal. During the more tense scenes, John Williams creates a thick texture, he uses clashing chords and increases the tempo and the volume dramatically. Alle Filmmusik Harry Potter aufgelistet. John Williams scored three films in the series starting with the first, Harry Potter and the Philosopher’s (or Sorcerer’s) Stone. We began to dismember the great masters. With the previous D# the F takes the minor third we would have had and “squashes” it into a diminished third, and with the following B it “squashes” a perfect fifth into a diminished fifth (or tritone). The music from Harry Potter gives a very gripping and atmospheric effect. Zu diesem zauberhaften Geburtstag hat unsere Filmmusik-Redaktion eine Best of-Playlist der Harry Potter-Soundtracks zusammengestellt. He does this by adding silence between notes. Unsere Mitarbeiter haben es uns zur obersten Aufgabe gemacht, Varianten jeder Variante zu checken, dass Sie zu Hause einfach den Filmmusik Harry Potter sich aneignen können, den Sie als Kunde kaufen wollen. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Allgemeines. With the first repetition of A, Williams adds a prominent figure of rapid scales in the strings, harp, and celeste that paints a more vivid musical picture of the sorts of aerobatics that wizards, witches, and their owls engage in. Released in 1997, the novel ignited the imaginations of countless fans and the seven novels together have sold over 450 million copies to date, making Harry Potter the best-selling book series in history. But at the same time, the celeste is associated with the imagi… Für den vierten Teil der Harry-Potter-Filme war Patrick Doyle, für … Yeah, the B section’s second version (C instead of B) is really hard to nail down when singing it out, cos it’s just so unnatural! English is not my nativ language and in this way it will be easier for me to put the chord on the right place. Fortschritte anderer Nutzer von Harry potter filmmusik. Includes original track lists plus 6 bonus tracks for the Deathly Hallows Part 1. 954 Words4 Pages. The music of the Harry Potter film series was recorded and released in conjunction with the post-production and releases of each of the eight corresponding films. Learn how your comment data is processed. Hier sehen Sie unsere beste Auswahl an Filmmusik Harry Potter, bei denen die Top-Position den Vergleichssieger ausmacht. I’m a very enthusiastic on film scores and found your blog reading the Brazilian “Revista Cultura” magazine. This ousting of the usual dominant chord shifts the sound of the cadence out of the ordinary world and moves it into the realm of the strange and ethereal. Harry Potter und der Stein der Weisen ist der erste Teil eines der größten Phänomene der Unterhaltungsindustrie dieses jungen Jahrhunderts. ( Log Out /  Das Stück "Lily's Theme" (Link: Hörbeispiele) ist sicher einer der Höhepunkte und ein ganz zentrales Thema des Filmes, denn in abgewandelter Form erscheint es immer wieder. The recognizable theme sound track from the movie (Hedwig’s theme) starts off with the use of a high-pitched mystical melody, then orchestral string instruments are used to play the harmony. Der Text ist so strukturiert, dass die einzelnen Bände jeweils der Bildungsstruktur eines englischen Internats entsprechen. John Williams & The Philosopher’s Prisoner of Secrets – Peter's Site! As soon as we hear those opening notes of ‘Hedwig’s Theme’ in Harry Potter and the Philosopher’s Stone (2001) – or the Sorcerer’s Stone, as it’s known in the US – we are immediately whisked away into Harry’s wizarding world through a flurry of strings and that haunting, solo celesta. Searched for a G# the whole time and havn’t found the Ab. Then ı wondered if anyone else did this kind of thing and here we go! Although this theme may originally have been intended only for Harry’s pet snowy owl named Hedwig, its pervasiveness throughout the film captures much of the general air of mystery and wonder that a child like Harry would feel in becoming part of a world filled with wizards, witches, and magic. That end credits piece is the big theme from Tchaikovsky’s Swan Lake. But in bars 11-12, the music suddenly heads in a new direction, sounding out three more minor chords that bear no relation to one another. There is no G# in the A section. Since the dominant is the fifth note of the scale, it is, in a sense, “high up” from the “ground” tonic note with which the theme began. Of the several themes Williams composed for the film, the most prominent is “Hedwig’s Theme”. Die Musik zu den Harry-Potter-Filmen wurde von vier verschiedenen Komponisten geschaffen: Für die Musik der ersten drei Filme war der bekannte Filmkomponist John Williams verantwortlich, der unter anderem auch Hedwig's Theme komponierte, das inzwischen als Hauptmelodie der Harry Potter Verfilmungen gilt. to be clear: i didn't add the commercials, this is done by the original creators. Released on 30 October 2001, the score was composed and conducted by John Williams. HTML tags allowed in your comment:

. The ticking getting gradually louder also acts as a good metronome. Give me a day or two and I’ll see what I can do…, Thank you for your excellent commentary. For example, in the scene where Harry is trying to fight against the dementers in order to save Sirius, there is a really fast melody playing which is supported by a loud harmony either playing a riff or playing a bunch of notes that sound mysterious when played in the right sequence. Thanks, Felipe. (John Williams scored the first three films, but not the later ones.). As shown in the example below, bars 9 and 10 of the theme return to the original E minor chord along with the same opening melody. Hi Mark! JAVASCRIPT IS DISABLED. You mean Secret of the Blue Room. Your email address will not be published. Do you know if you’re thinking of a classical piece or something else? To me they sound entirely different and I wouldn’t say they are in any way connected. I believe that “Hedwige Theme” is plagiarism. In the moderate waltz-like tempo of the theme, the three-beat meter evokes a feeling of elegance and grace that befits a wizard’s ability to get out of many jams quickly and easily with, for instance, the simple casting of a spell. I am excited to go through all these posts and read them. Music Analysis: Harry Potter. Curiouser and curiouser…. Any ideas? The last repetition of the A section continues this rushing figure in the strings but now sounds the melody more powerfully in the French horns. Hi Mark, https://www.youtube.com/watch?v=b1QhNz117CQ. Da sie populär wurde und stets mit Harry Potter in Verbindung gebracht wird, findet sie auch in den Folgefilmen Anwendung. Weiß verschneite Turmspitzen, warmes Butterbier aus Hogsmeade, Eulen, die Weihnachtsgeschenke bringen. Instead, Williams heads straight into the tonic. A reason for this might be because orchestral sounds might fit the mysterious feel of Harry Potter better than an electric guitar. April 2, 2012. While the first five bars are entirely in the key of E minor, the sixth bar introduces a note foreign to it— F natural, which is the lowered form of scale degree 2. What’s interesting is that the demand became so high for anthology music from a publisher named Belwin that, as one composer employed for the company colourfully wrote, ““in desperation [Belwin] turned to crime. Prologue 2. The use of Hedwig’s theme in the music reflects to the idea of nostalgia and going back in time, as Hedwig’s theme was used in the first movie. The Arrival of Baby Harry 4. Letters from Hogwarts 5. Content on this site may not be reproduced in any way without written permission from the author. Harry Potter Music Analysis. The song “Double Trouble” is sung by the school choir while the film score for the movie that reflects mysteriousness and eeriness plays. Change ), You are commenting using your Facebook account. Sound effects are used to emphasise even the tiniest of actions to make the scene more dramatic. From the fourth film on, the F natural in the sixth measure was changed to an F-sharp, which spoils the melody for me. Hedwig’s Theme breaks down into two closely related sections I simply call A and B. Scores are not the most popular kind of music in anywhere, you know, but I love it and texts so great as yours are difficult to find. We began to murder ruthlessly the works of Beethoven, Mozart, Grieg, J.S. Change ), You are commenting using your Twitter account. Many of Williams’ themes for blockbuster action films are marches, which are always set in a two- or four-beat meter. Hey, I just wanted to thank you for all the great analysis of these works. Diagon Alley and the Gri… Congratulations for your work! what is the scale of the notes in HEDWIGS theme, Interesting that AMC is playing secret of the blue moon this evening and the end song during the credits is the harry potter theme…although the former film was released in 1933…love to see your analysis and then it begs the question is John Williams just rehashing the precursor and took it to the bank? Als 2004 der dritte Film der Serie, Harry Potter und der Gefangene von Askaban erschien, komponierte Williams auf Wunsch des neuen Regisseurs Alfonso Cuarón auch diese Filmmusik. Ich habe schon öfters den Titel Harry Potter und der Stein der Weisen auf Englisch in zwei verschiedenen Versionen gesehen : ,,Harry Potter and the Philosopher's Stone" und ,,Harry Potter and the Sorcerer's Stone" Warum gibt es im englischen 2 unterschiedliche Titel und was ist der Unterschied? John Williams Themes, Part 1 of 6: The Force Theme, John Williams Themes, Part 2 of 6: Star Wars, Main Title, John Williams Themes, Part 3 of 6: The Imperial March (Darth Vader’s Theme), John Williams Themes, Part 4 of 6: The Raiders March (Indiana Jones’ Theme), John Williams Themes, Part 5 of 6: Theme from Jurassic Park, John Williams’ Superman Theme (Superman March). Hi Mark, Great analysis. Diese besondere Atmosphäre wird getragen von fantastischer Filmmusik. As you point out, the film is from 1933, which was just a few years after the introduction of sound film, or the “talkie”. Hedwig’s Theme is among these. Please listen to Charles-Camille Saint-Saëns “Animal Carnival” part of the “Aquarium”. This kind of semitone motion from 5 to #4 in a minor key is another musical feature that has associations with mystery. Thanks for the insightful analysis. I was curious enough to see if anyone else had thought the same. I am happy to read such a good analysis. Usually having an orchestra gives you a thicker texture which really helps in creating an atmosphere. You’re right that the theme is changed in the fourth film and has the normal scale-degree 2 rather than the flat version Williams wrote. I wonder why he did that. So the Tchaikovsky in Blue Room is likely a kind of sustaining of an earlier standard at a time when that standard was in flux and over the next few years to turn confidently towards the original score. So in a sense, it seems that Doyle is thinking more harmonically when arranging the theme whereas Williams was thinking more melodically and thwarting our expectations for “normal” notes of the scale at points where they would seem inevitable. 1. Mit Klick auf "Einverstanden" setzen wir zusätzlich Cookies und Dienste von Drittanbietern ein, um unser Angebot durch Analyse des Nutzungsverhaltens zu optimieren, um Nutzungsprofile zu erstellen, interessenbezogene Werbung anzuzeigen, sowie die Webseiten … Methinks so. Notice that this note comes a half step (or semitone) down from the preceding B, which is scale degree 5. Williams is one of my all-time favourites. ( Log Out /  Vor allem der Fakt, dass viele Melodien aus Harry Potter und der Stein der Weisen übernommen wurden, trug dazu bei. The Harry Potter films have continued the success of the franchise, collectively earning over $7.7 billion at the box office. The two friends proceeded to share a slow dance to lift their spirits. We keep your data private and do not share it with any third parties. I’m doing what I can to try and change that. Throughout the theme song, the harmony is playing a riff, while higher pitched instruments of the orchestra, for example violins, are playing fast melodies which adds to the idea of “rushing” and adds to the fast paced mood of the film. Hier gehen die Schüler sieben Jahre zur Schule (vom 11. bis zum 17. Lebensjahr), um im Anschluss je nachdem auf die Universität oder in die Berufsau… Both the A and B sections are repeated, then the A is stated one last time before the piece moves into the “Nimbus 2000” theme. But when Williams restates the whole 8 bars of a theme, he usually keeps the notes the same, so this is unusual that way. Another note foreign to E minor that Williams introduces is A#, the raised fourth scale degree (#4), which first appears in the melody in bar 13. Your email address will not be published. i don't earn a penny with this video. Was allerdings ganz klar erschaffen wurde, ist ein Thema für die Bedrohung durch Voldemort, vielleicht sogar für Voldemort selbst. (: Thanks, Stefan! Filmmusik Harry Potter - Die besten Filmmusik Harry Potter ausführlich analysiert! 3. Although the mood and tempo were very different, there was something in the intervals of the notes on the recurring theme which reminded me of Hedwig’s Theme. Using an electric guitar really won’t fit as Harry Potter isn’t rock ‘n’ Roll. © Mark Richards. Below is the melody for the entire A section of Hedwig’s Theme, which itself divides into two phrases. Pingback:John Williams & The Philosopher’s Prisoner of Secrets – Peter's Site! Sicheres & geprüftes Online-Shopping bei Weltbild.de! It’s good to have others’ ears and eyes spot new things! Only 11 notes of the chromatic scale are used by Williams. Yesterday I went to an organ recital where Viernes Symphony no 4 was one of the highlights. Thanks a lot! Even so, I would attribute it to his tendency to vary his ideas.

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